Michael Collins

Assault on Wall Street glorifies the revenge killing of Wall Street big wigs by a seemingly decent man who lost everything, including his wife, due to the manipulation and fraud of those he gunned down.

Combat veteran and armored car driver, Jim Baxford reaches a hefty body for this sort of thing. He's got nothing on the last three presidents of the United States who bear responsibility for military actions leading to the deaths of several hundred thousand civilians in the Middle East and North Africa.

Baxford's actions are part of a larger social acceptance of violence as a solution to political and personal challenges. This film is not about class warfare. It narrates in detail the losses and pain that Baxford and his wife suffer, why he holds the Wall Streeters accountable, and how he gets his revenge on his own. (Image)

Written and directed by Uwe Boll and produced by Lynnpark Productions of Canada, the film offers an all-American series of horrors that fell on many ordinary citizens but rarely as hard as those horrors fell on the Baxford's.

Read more »

By Rady Ananda

Arthur Laurents’ story about love, racism and violence set in 1950s New York City took on a new twist under the direction of David Saint in Broadway Across America's Ft. Lauderdale production of West Side Story. By making subtle changes (from the 1961 film version starring Natalie Wood), Saint softens the criticism of US racism and salutes same-sex love.

When I first saw the film as a teen, the song “America” shocked me with its blunt lines, “Life is all right in America … if you are white in America.” Given our media-fostered culture of anti-Arab sentiment, I looked forward to hearing those words again. Instead, under Saint’s direction, the song mocked Puerto Rico. “Twelve in a room in America” became San Juan’s burden.

Read more »

By Michael Collins

The legitimate demands of the people everywhere have no color, nor do their revolutions. These are not the revolutions arising from staged events by the White House, the National Endowment for Democracy, and other meddlers. We are witnessing what Mark Levine called human nationalism. The people of Tunisia, now Egypt, are, "taking control of their politics, economy and identity away from foreign interests and local elites alike in a manner that has not been seen in more than half a century." (Image)

Somehow, we are supposed to believe that the English speaking peoples have a corner on democracy. The rest of the world is still learning. When the oppressed of a nation, particularly of the third world, stage an uprising, it is neatly packaged and color coded. That way it's easier to follow. The Western leaders and press assume an avuncular pose and pass judgment on how the various colors pass along the path to self-determination -- not too fast, not too rowdy, and certainly not too disruptive to first world markets, especially oil.

These assumptions need to be thrown overboard immediately.

Read more »

Michael Collins

The attempted assassination of Representative Gabrielle Giffords raises the bar for political lies and hate to a new level. Previously, incendiary political lies stopped just short violent imagery. Sarah Palin's Take Back 20 campaign presented a violent threat in the form of rifle site crosshairs placed over the congressional districts of 20 Democratic supporters of health care reform.

Ironically, Giffords sent Palin a clear message to end the violent allusion in the ads. In this brief video, she warns:

"… we're on Sarah Palin's targeted list but the thing is that the way she's had it depicted has the cross hairs of a gun site over our district. When people do that, they've got to realize that there [are] consequences to that action." Rep. Giffords

Read more »